“ThreeMoonsFighters’ is an oasis of melodic atmospheres and haunting vibes. The record’s structure means that tracks come across like fleeting pleasures. There’s a boldness to Satoshy’s production that gives it something much more than commercial appeal. From the EDM trip-hop swingers to underground electro-fusion heads, there is something for everyone on this recording, which retains Satoshy’s accessibility while also contorting it into many creative shapes.
It makes less sense to pick out certain tracks than to ride all the EP’s hairpin turns and endeavoring expansiveness. Coming from an artist who seeks depth and innovation, ‘ThreeMoonsFighters’ is a welcome step towards somewhere less predictable in the modern music scene. Few projects released this year have opened with a sound as remarkably impressive as ‘ThreeMoonsFighters’. “…… “On the whole, ‘ThreeMoonsFighters’sounds like a conscious effort to carve a specific spot in an already eclectic genre. An immediate indicator of this is the amount of creative variation that Satoshy propels into this recording. It’s really worth picking this record up. It’s assertive in developing Satoshy as a sure-footed, stylistically independent artist.” Tunedloud.com
We’re halfway through 2023 and critics are slouching towards their Best Records Of The Year So Far lists. They’re rarely happy about it. If dicing releases every 12 months is arbitrary, then six months is labor on a factory line, wood chips for the content mill. But this year, I feel like they hate these lists more than usual. They’re having a hard time picking much. And maybe you are, too. P...
At the close of 2022, Bitcoin wasn’t just down—it was so down that its precipitous fall was breaking records. One report from Bank of America suggested that the collapse in value was the fifth-worst for any asset in financial history. Despite steady gains this year, it hasn’t even come close to its November 2021 peak, and now things are about to get shaken up like a bead in a baby’s rattle w...
In Ari Aster’s 2016 short film C’est La Vie, Chester Crummings, a homeless man, speaks directly and combatively to camera about his life and society at large as he wanders the streets of LA, surviving, begging for change and casually murdering people. At one point, he says: “You know what Freud says about the nature of horror? He says it’s when the home becomes unhomelike. Unheimlich.”
In Sig...
