This is one of my favorite photos for many reasons. Firstly, it reminds me of the simplicity, yet depth of the cover of my favorite book and movie, Call Me by Your Name. The photo tells a story much like that of Elio and Oliver and leaves you wanting more. But most importantly, it captures the raw beauty and essence of my best friend. Her talent and good heart cease to amaze me and if that could ever possibly be translated and captured, I believe this photo attempts to do her great justice. It represents a modern love story where the girl falls in love with herself before loving anyone else.
We’re halfway through 2023 and critics are slouching towards their Best Records Of The Year So Far lists. They’re rarely happy about it. If dicing releases every 12 months is arbitrary, then six months is labor on a factory line, wood chips for the content mill. But this year, I feel like they hate these lists more than usual. They’re having a hard time picking much. And maybe you are, too. P...
At the close of 2022, Bitcoin wasn’t just down—it was so down that its precipitous fall was breaking records. One report from Bank of America suggested that the collapse in value was the fifth-worst for any asset in financial history. Despite steady gains this year, it hasn’t even come close to its November 2021 peak, and now things are about to get shaken up like a bead in a baby’s rattle w...
In Ari Aster’s 2016 short film C’est La Vie, Chester Crummings, a homeless man, speaks directly and combatively to camera about his life and society at large as he wanders the streets of LA, surviving, begging for change and casually murdering people. At one point, he says: “You know what Freud says about the nature of horror? He says it’s when the home becomes unhomelike. Unheimlich.”
In Sig...